A review of the 1972 film cabaret

Narrative and news reading Although the songs throughout the film allude to and advance the narrative, every song except "Tomorrow Belongs to Me" is executed in the context of a Kit Kat Klub performance. This use of music as ironic commentary - albeit far more low-key - anticipated movies such as American Graffiti where songs exist not in the mouths of characters but on the soundtrack echoing above and beneath the action.

Great use of the elderly man in the background of that scene. In the film version, she is American. For an intense moment, the lights changes into fiery red as she sings the final notes in a cry of desperation, deafened by a time of extreme desperate measures.

What a really great haunting song by two great Jewish songwriters.

Win when you're singing

Take Cabaretwhich began life as a hit Broadway musical Kander and Ebb had written it years earlier for Kaye Ballardthus it was ineligible for an Academy Award nomination. While this might be long stretch, the film could also be a metaphor of American Ku Klux Klan movement that was gaining ground in the s.

Charlotte Flemming designed costumes. Cabaret is the musical for people who hate them. The ending to the film is hard to swallow. The character of Cliff Bradshaw was renamed Brian Roberts and made British as was Isherwood, upon whom the character was based rather than American as in the stage version.

Cabaret is the musical for people who hate them. Producers eventually chose British cinematographer Geoffrey Unsworth. In the traditional manner of musical theater, every significant character in the stage version of Cabaret sings to express emotion and advance the plot, foreshadowing every song with Master of Ceremonies Joel Grey.

The only remaining outside number is "Tomorrow Belongs to Me", a folk song rendered spontaneously by patrons at an open-air cafe in one of the film's most chilling scenes.

Statements consisting only of original research should be removed. Fosse hired Michael York as Sally Bowles's bisexual love interest. Jean Ross was offended by the character portrayal by Liza, call it apolitical.

User Reviews

As time go on, the two find themselves madly in love with each other, while the world is finding new ways to keep them apart. Find great deals on eBay for cabaret film Shop with confidence. Sep 13,  · It's time for another CLASSIC Movie Review From Rehab. Let's talk about my favorite film musical, Cabaret.

Feb 13,  · Cabaret is a very deep movie. There are lots of details in the movie - brightly exposed to us by an excellent cameraman - which create a second, historical storyline which you start to understand only after you watch the movie for a while/10(K).

Jan 01,  · "Cabaret" explores some of the same kinky territory celebrated in Visconti's "The Damned." Both movies share the general idea that the rise of the Nazi party in Germany was accompanied by a rise in bisexuality, homosexuality, sadomasochism, and assorted other activities.

Taken as a generalization about a national movement, this is certainly extreme oversimplification/5. Dec 14,  · Cabaret ( film) topic. Cabaret is a American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey.

Situated in Berlin during the Weimar Republic inunder the presence of the growing Nazi Party, the film is loosely based on the Broadway musical Cabaret by Kander. "Cabaret" is one of the best film musicals of the 's or any other decade. Set in a cabaret (night club) in decadent Berlin, Germany of the early 's just before the advent of Hitler and Nazism, it mixes lively songs and dance, sex, comedy and drama.

Cabaret (1972 film) A review of the 1972 film cabaret
Rated 3/5 based on 12 review
Cabaret ( film) | Revolvy